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Artist / Joshy Bloom

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artist:

Joshy Bloom

location:
Meanjin (Brisbane), QLD

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attributes:
biomorphism, identity,
& emotional landscapes

Tell us about your backstory! Any experiences that may have contributed to your evolution in your field.

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I began my creative journey in 2022, working with clay as part of a Diploma of Visual Arts at TAFE Queensland. Since then, I’ve continued to develop my practice by pursuing a Bachelor of Creative Industries, where I’ve deepened my understanding of art and design.

 

My work reflects the natural world and dream-like forms, often drawing on my personal experiences in nature and my fascination with the patterns and structures found in the environment. The concept of biomorphism—shapes and forms that mimic natural life—captures the essence of my aesthetic.

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My work often explores themes of vulnerability, mental health, gender identity, and personal trauma.

Any people, artists, designers, movements, things that inspire you to make your art?

My artistic inspiration comes from a wide range of sources, including fellow artists and designers, as well as my environment. I am deeply inspired by artists such as Glen Martin Taylor, Ramesh, and Chiharu Shiota, whose works explore intricate themes of identity, space, and emotional depth. Additionally, my friends and collaborators from the Diploma, particularly Adam Cole, Chiara Kostoglou, and Miranda Westaway, have had a significant influence on my development as an artist.

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Random fact about yourself? (e.g., fun / unusual hobbies, guilty pleasure? anything!)

 

A random fact about me is that I have a deep unreasonable fear of asparagus, and I love to troll people by telling them I eat clay, and that I ENJOY it.

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How does sustainability influence your design decisions, and how has your approach evolved over time?

 

Sustainability plays a key role in my creative process, particularly in how I approach materials and studio practices. I actively incorporate recycling into my work, especially through the reuse of clay that would otherwise be discarded. By repurposing clay that students have finished or thrown away, I not only reduce waste but also breathe new life into materials that would otherwise go to landfill. This practice has taught me the value of sustainability on a small, yet impactful scale.

 

What are some of the biggest challenges you face when incorporating sustainability into your work, and how do you overcome them?​

 

One of the biggest challenges I face is the extra physical labor involved in recycling materials. However, I’ve found that with the right support and collaboration in a shared studio environment, these challenges become manageable. The process can be labor-intensive, but the benefits—both in terms of reducing waste and saving money—make it incredibly rewarding. When surrounded by like-minded individuals who are equally committed to sustainability, it’s easy to stay motivated and continue finding creative solutions.

Joshy wearing BlackFish Designs

Who are your favourite local makers/designers/collectives?

 

Many of my favorite local makers and designers are individuals I’ve had the privilege of exhibiting with. While there are too many to name, I’ve had the pleasure of collaborating with artists at exhibitions and events such as Glenny’s Garage, SGA by Converge, Split Between by YourPals, Heat, REdefine, Onism, and Visiting. I also have a deep appreciation for local venues like Ventspace and Echo&Bounce, which foster a supportive and vibrant creative community.

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